Teebs who hails from the mighty Brainfeeder crew out of L.A is a 23 year old visual artist and musician who has been releasing some stunning artwork and music presently (check the Mary Anne Hobbs- Wild Angels Compilation and The Tropics E.P which can be streamed from here) and is set to drop his debut LP entitled ‘Ardour’ on the Brainfeeder label this year – October 19th to be precise. Flying Lotus has described Teebs’ music as sounding “the way ‘Avatar’ looks” and it seems that he is one of L.A’s brightest prospects. Its no wonder then that ‘Ardours’ has been described by The Los Angeles Times as one of the most ‘anticipated records within the Los Angeles beat community‘. Check out the evidence below for yourself and grab this free download (Teebs — “Arthur’s Birds”)! Teebs certainly has those Bonafide Skills yall!

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IF YOU ARE LOOKING TO RSVP FOR THIS SHOW PLEASE EMAIL INFO@CHOICECUTS.IE WITH YOUR NAME.
(Places are strictly limited so we can’t guarantee you will be on the list.  We will let you know if you are).

Born Alfred Weisberg-Roberts in Santa Monica, CA, producer/instrumentalist Daedelus wanted to be an inventor from an early age, a sentiment that led to him choosing an artistic moniker (in Greek mythology, Daedalus was known as an inventor, although Weisberg-Roberts also cites the character Stephan Dedalus in James Joyce’s A Portrait of the Artist as a Young Man — as well as the ship in the Japanese cartoon Robotech — as equally valid reasons for his selection) when he began releasing his own work. Despite the fact that he was formally trained on double bass and bass clarinet, had studied jazz at USC, and could play additional instruments such as the guitar and accordion, Daedelus chose to go the electronica route, often incorporating samples from the ’30s and ’40s into his IDM and left-field hip-hop.

Though Daedelus’ first single appeared 2001, it wasn’t until the following year that his debut full-length, Invention, was released by the Plug Research label. Daedelus proved to be a prolific composer, and the following four years brought four new albums (released via Plug Research and Mush): 2003′s Rethinking the Weather, 2004′s Of Snowdonia, 2005′s Exquisite Corpse, and 2006′s Daedelus Denies the Day’s Demise. He also worked on countless singles and side projects, including a stint as a producer for his Mush labelmates. The musician’s engaging live set was finally made available for fans, albeit in limited numbers, with Live at Low End Theory, which was recorded during a July 2007 performance at Los Angeles’ The Airliner and released in early 2008. Love to Make Music To followed in July.

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Another special gig from us in conjunction with DEAF09

Known as Los Angeles’ “Ambassador of Boogie Funk,” Dãm-Funk represents the citizens of the Funkmosphere. Headquartered in the Leimert Park section of L.A., Dãm (pronounced: ‘Dame’ as in Damon) spent the last few years cultivating a musical renaissance rooted in the early-’80s styles known as Boogie, Modern Soul and Electro-Funk.

As a DJ/selector, Dãm attracts the most discerning Boogie Funk afficionados within driving distance of his storied Monday-night Funkmosphere parties. But it’s not just collectors at the bar toasting to the melodic sounds. Anyone who grooves to the likes of Slave, Aurra, early Prince, Prelude Records and the like, will get a dose of those groups’ unknown contemporaries – more obscure but equally Funk-worthy.

The next phase of the Ambassador’s mission is his debut album Toeachizown: continuing the classic West Coast tradition into today’s scene with Dãm’s own original “Modern-Funk” compositions. By plugging in his arsenal of vintage synths and drum machines, Dãm channels the galactic harmonies of his inspiration into his own brand of new boogie. Stones Throw Records’ like-minded honcho Peanut Butter Wolf brought Dãm on to the team to glide into the future with his unique, synth and bass-driven vibe. It’s a promising new chapter for Southern Cali space funk.

Click here to view the embedded video.

Click here to view the embedded video.

Click here to view the embedded video.

Click here to view the embedded video.

Known as Los Angeles’ “Ambassador of Boogie Funk,” Dãm-Funk represents the citizens of the Funkmosphere. Headquartered in the Leimert Park section of L.A., Dãm (pronounced: ‘Dame’ as in Damon) spent the last few years cultivating a musical renaissance rooted in the early-’80s styles known as Boogie, Modern Soul and Electro-Funk.

As a DJ/selector, Dãm attracts the most discerning Boogie Funk afficionados within driving distance of his storied Monday-night Funkmosphere parties. But it’s not just collectors at the bar toasting to the melodic sounds. Anyone who grooves to the likes of Slave, Aurra, early Prince, Prelude Records and the like, will get a dose of those groups’ unknown contemporaries – more obscure but equally Funk-worthy.

The next phase of the Ambassador’s mission is his debut album Toeachizown: continuing the classic West Coast tradition into today’s scene with Dãm’s own original “Modern-Funk” compositions. By plugging in his arsenal of vintage synths and drum machines, Dãm channels the galactic harmonies of his inspiration into his own brand of new boogie. Stones Throw Records’ like-minded honcho Peanut Butter Wolf brought Dãm on to the team to glide into the future with his unique, synth and bass-driven vibe. It’s a promising new chapter for Southern Cali space funk.

Click here to view the embedded video.

Click here to view the embedded video.

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Here is a night we recommend you check out while we’re away on our holidays…
Radio Groovalizacion and Mantua Festival present Bomba Estéreo in concert Friday 7th August 2009. For their first appearance in Ireland they will perform at the Button Factory, Temple Bar Music Centre, Curved Street, Dublin 2. Ticket prices are 12 Euros at the door. Doors open at 7.30pm.

Bomba Estéreo is Bogotá’s newest and most promising band. They are amongst a group of young artists coming from a new wave of music inspired by the streets of the Colombian capital. Their music merges Afro-colombian rhythms from the Caribbean coast such as Cumbia, Bullerengue and Champeta with electronic sounds, reggae and hip-hop producing an explosive fusion. BombaEstéreo’s invigoration shows are a blend of infectious electro beats and live instruments in which Colombian folklore is always present. No doubt that band members Liliana Saumet (vocals), Simon Mejia (bass, sequences and Keyboard), Diego Cadavid (percussion) and Kike Egurola (Drums) will raise the roof to its highest. So do not miss the chance to see this exclusive concert, organised by Groovalizacion and Mantua, as part of their summer tour across Europe and the USA. Check the video below and the Groovalizacion site here

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Alfred Darlington isn’t your average cookie-cutter musician. From how he looks (early Victorian Dandism), to how he makes music, to how he expresses himself and views the world, his is a very individual, a ‘bespoke’ outlook.

Alfred was born in Santa Monica in 1977 to an artist mother and psychologist father. Musical from very early on, as a child he was classically and jazz-trained in a number of instruments, but his interests were broad and varied – less a prodigy than a renaissance boy whose obsessions ranged from Greek legend to the mountains of Wales. As a 15 year old he finally persuaded his parents to take him to the Principality. Whilst in a YMCA in London he flipped the radio dial, found a pirate radio station and taped some UK rave and hardcore. “It was my first ‘Eureka!’ moment in music,” he says.

Back in the US he joined local rock bands, jazz bands and ska bands, which he enjoyed but felt limited by,too. At home he was listening to Warp, Ninja and your harder electronic stuff. He started DJing out the more leftfield side of drum and bass and making his own rudimentary productions. They were meant to be drum & bass but they kept turning out different and from his outsider’s experiments his own style was born. He chose the name Daedelus as he had a childhood obsession with invention, and what was he doing, after all, if not tinkering and fiddling and experimenting like the “gentleman inventors” of old?

In 1999 he started DJing on Dublab.com for his “Entropy Sessions” and began dropping in his own early demo productions. Carlos Nino (of ammoncontact) had the show after him and usually pushed Alfred out the studio as quickly as possible as he was not so into Daedelus’ confrontational DJ style, but when he heard a tranquil Daedelus production he took, in typical Nino style, Daedelus under his considerable wing around the LA scene. Nino placed Daedelus tracks on two influential compilations and then persuaded Plug Research to release his debut album, “Invention” in 2002, Remixers included Madlib, who later took Daedelus’ accordian parts and used them on the Madvillain record, closely followed by his “The Household” EP on Prefuse 73’s Eastern Developments label.

In 2003, he was booked to play a show in San Diego by Brian Crabtree and Peter Siegerstrong and they asked him to test out an early prototype of the Monome box. “It’s a Non-traditional electronic instrument,” Daedelus explains. “Basically it allows for massive improvisation.” Since then Daedelus has continued to use this revolutionary box, bringing much genuine liveness to the sometimes static world of performed electronic/dance music.

In 2003 he did “The Weather” album with Busdriver and Radioinactive and the remix album “Rethinking the Weather” on Mush records (home of cLOUDDEAD, also on Big Dada/Ninja Tune). 2004 saw the release of “Of Snowdonia” on Plug Research, the album with which Daedelus says he first “felt true artistic confidence, finding a true voice. I was finally in the right zone.”

There was certainly no let up in his creativity. Also in 2004 he released the concept album “A Gent Agent” on tiny German label Laboratory Instinct. The 2005 album “Exquisite Corpse” on Mush album featured the likes of TTC, Mike Ladd, MF Doom. Ninja signed Daedelus for UK/Europe (a relationship which has reached its full expression on “Love To Make Music To,” his first album for the label worldwide and put together with the help of their team). In 2006 “Denies the Days Demise” came out, a record showcasing his love of Brazilian music. Last year he released his first live album, “Live At the Low End Theory,” and “The Fairweather Friends EP”. Later this year will see the release of his collaboration with his wife, Laura Darling, as Long Lost!

And while his reputation has grown internationally, his place in the LA scene has also solidified. The musician that many of the hottest names in the city turn to for everything from bass clarinet licks to advice on obscure electronics, Daedelus has worked extensively with Taz from Sa-Ra, the pair of them opening for the likes of DJ Assault, Justice and Two Live Crew as well as appearing in Erykah Badu’s most recent video.

As for “Love To Make Music To,” Daedelus says that this album is “the imaginary memory of a time that never was! It’s my drug/love record, harking back to that time in the YMCA in London, when I first heard rave…”

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Daedelus, the eccentric, electronic maestro of the Pacific coast returns with “Exquisite Corpse” his most complete and baffling record to date. One of LA’s most daring new artists this young musical romantic weaves together a true “love-sound” that falls between honeyed melody and avant-electronics. Daedelus chops and splices disparate acoustic sources into incredible works of staggering resonance. Contrasting IDM styled cut-ups with childlike arrangements from the 30′s and 40′s, he has refined a style that has no imitators. Exactly the kind of music you’d expect from a scarily well-connected hip hop nut who happens to dress in Edwardian clothing and names himself after an Ancient Greek Legend.

Daedelus, the eccentric, electronic maestro of the Pacific coast returns with “Exquisite Corpse” his most complete and baffling record to date. One of LA’s most daring new artists this young musical romantic weaves together a true “love-sound” that falls between honeyed melody and avant-electronics. Daedelus chops and splices disparate acoustic sources into incredible works of staggering resonance. Contrasting IDM styled cut-ups with childlike arrangements from the 30′s and 40′s, he has refined a style that has no imitators. Exactly the kind of music you’d expect from a scarily well-connected hip hop nut who happens to dress in Edwardian clothing and names himself after an Ancient Greek Legend.